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Acrylic Paintings 
 1. An Early Painting
 2. Painting Reframed
 3. Three Acrylics
 4. Three Gifts
 5. Three More
 6. Hanging in Paris

 

Master of Arts in Counseling Psychology ("MAC")

3.  Three Acrylic Paintings

In December of 1989, I came across this beautiful scene of the Olympic Peninsula.  It was on the cover of a magazine and was covered with a large title banner, other smaller words, and even a bar code.  I really liked it and wanted to frame it and put it up in the living room. I knew that the only way I could have it as a picture was to paint it myself.  I hadn't painted a picture in 15 years.

About this same time, I discovered acrylic paint.  It had the power of oils but was water soluble and dried even faster than watercolor.  I painted the scene in this new medium and really liked the flexibility of acrylics.  The colors in this scan are far too bright.  However, you can see how pretty the scene is and why I was inspired to try to paint it.

Far from being relaxing, this painting was much hard work and frustration!  The trees weren't much trouble but I had a terrible time trying to get the green leaves of the rhodies to stand out against the dark background.  I had to do it again and again (only possible with acrylics).  However, I was pleased with how it eventually came out.
     

Around that same time, I found the tiniest, little photo of galloping horses in another magazine.  I decided to try painting that one, too, because, like the first one, it was the only way we could frame it.  The original photo was only 1 X 2.5 inches!  It took a long time to enlarge it to its current size of 12 times that size (its now 1 X 2.5 feet).  And, to do this painting, I had to learn how to draw horses.  My problem with painting is that I haven't done enough to develop any kind of style.  If I like it and want to paint it, I have to learn how because, in all likelihood, I've never done another one like it!
    

Learning-as-I-go was also true of the painting above of my son, Braden, then only 10 years old.  I had never done people before.  I really liked the holes in the knees of his jeans!  I also wanted to capture the impish expression on his face.  This one was quite a challenge and took a long time!

I was invited to hang this particular painting in the 1990 Southwest Washington Exhibition that May to June in the State Capital Museum in Olympia.  That was a great honor for me.  

On the left is a photo of Braden and me next to the painting as it was on exhibit in the State Capital Museum.

 

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For email contact use either: gellis@stmartin.edu or godfreymerry@home.com